Albrecht Altdorfer
German
1480-1538
Albrecht Altdorfer Galleries
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large. Related Paintings of Albrecht Altdorfer :. | Kreuzigung Christi | Heilige Familie mit einem Engel | Landschaft mit Satyrfamilie | the battle of lssus | Susanna at her Bath and The Stoning of the Old Men | Related Artists: Albertus Del Orient BrowereAmerican, 1814-1887 jean HuberSwiss Painter (b. 1721, Geneve, d. 1786, Bellevue) ,
Geneva1721-1786
Geneva1721-1786,Silhouettist, painter, draughtsman and printmaker. His paternal ancestors were patrician Genevese merchant bankers. As a young man he soldiered at Kassel in Germany and in Italy, where he fought for Savoy in the War of the Austrian Succession (1740-48). In 1752 he was elected to Geneva's Council of Two Hundred and served his native city as a magistrate. He had no formal artistic training, but from his youth he clipped out of paper or cards freehand profiles of a kind that later came to be called silhouettes. Philippe Jacques1740-1812
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